24.10.12
On Using Poems to Develop Productive Skills
21.7.12
On Hollander's "Teach the Books, Touch the Heart"
20.7.12
On Teaching Literature (I. Cruz) and Teaching Classic Literature Classically (A. Kurn)
10.2.12
let's VOLT in
29.1.12
Stalky & Co.-Defying 'Three is a Crowd'

2.12.11
Reading Goals and Resolution
The website has a Reading Meter now depending on the goal that one sets. For example, my goal this year is to read 10 books (I saw the reading meter too late as in just last month). I have to update my Shelfari every now and then of what I have been reading and when I have finished any.
You might be wondering why I have only ready ten this year... I just cannot remember the other novels I have read and since I don't want to make a fool of myself enumerating the books that I have read years ago, I have only counted the ones I can remember.
My reading goal for next year will be 24 books. I hope I can accomplish it side by side my studies--I am continuing my Masters in summer. That will be hitting two birds with one stone, aye?
13.9.11
confessions of an ugly stepsister... the beginning.
29.8.11
cheater
5.8.11
WHAT STUDENTS SHOULD NOT DO IN GROUP REPORTS
- Forget the group's index card-students taking up CS and EOC under my supervision know that I put their group grades in their respective index cards. These cards are my sole basis for computation of group recitation. NO INDEX CARD NO GRADE
- Make fools of themselves by not showing mastery of the assigned topics-What is the report for if students only read their visual materials or handouts?
- Use visual materials that are hastily made--Teachers don't usually ask students to report immediately. I, for one, give students time to prepare from 15 minutes to one month. I abhor it when students given ample time to prepare present pieces of bond paper with undecipherable handwriting, post them on the board and force their classmates to follow what they are reporting.
- Use crumpled pieces of paper as guides for reporting--crumpled paper goes to the trash. I haven't found someone educated who likes keeping trash in his or her bag for eons of years. If ever I would meet someone like that I am sure I would not like him or her…just a random thought. Point is, students who use crumpled paper look like beggars to me, I am sorry for the harsh word, and they don't have a space in my classroom. Wake up everyone.
- To ensure that students also study on their own--some students don't study unless teachers tell them
- For variation of discussions--some students get bored when teachers always discuss. And they don't listen. That's a fact.
- For students to PREPARE--which is easier: an impromptu graded recitation or prepared report where they can be assured of getting good grades if they do their jobs right?
- For students to practice exuding confidence(from sir Gozun)--"Students won't stay in classrooms forever. After graduating they will be talking to different kinds of people and the best preparation that they can have is speaking in class," Mr Simon Gozun shares. Need I say more?
4.8.11
battle gear on
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Proud of my criminology1C Snipers. |
1.7.11
so much for june
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new workplace |
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new team |
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new family |
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new perspective |
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new relationship |
7.6.11
hello work
14.3.11
nihonggo notes and osaka pen
9.3.11
decisions: result
23.11.10
2311 tips for writing- Holly Black
1) No one can tell if the writing was fun or if it was hard. Trust me. I know it seems like writing that pours out of your brain in a passionate flood should be better than writing that comes slowly and miserably, but the only person who will ever know the difference is you. So no excuses—get the word count done. (I prefer saying “GET IT DONE”)
2) You don't have to believe you can; you just have to do it. I remember everyone telling me I had to think positive when I was writing my first book. If I believed I could do it, then I could! If I pictured myself published, then it was going to happen! Which sounded great, except...could I do it? If I didn't think I could, was I doomed to fail? What if I was almost totally sure I would fail? I am here to tell you—what matters is sticking with it… just get through today. Then get through tomorrow. Don't worry about the day after that, until it's today. Then you know what to do. (I used to always wish to see my name running along the spines of books in the library. This made me realize that if I would focus on that, I wouldn’t be able to write a book)
3) There aren't good books and bad books. There are finished books and books that still need more work. Please don't let wondering if there's a market for your book or wondering if the book you're writing is genius or evidence that you should be heavily medicated get in the way of the writing. Remember, right now you are not writing a good book, you are writing a good draft. Later, you will have lots of time to kill your darlings, make the suspense more suspenseful, to add foreshadowing and subplots. Later you will have time to change the beginning or change the ending or change the middle. Later, you will have time to cut and polish and engooden. For now, trust the process and write (that said, if you suddenly wake up in the middle of the night and realize what's wrong with Chapter 7, then by all means, jot that down for later). (this goes to those people, like me, who don’t like editing their works…hehe…)
4) Figure out what happens next. Some people swear by outlines; other writers are like to find the story along the way. Whether you're a plotter or a pantser, before you quit for the day, write a little bit of the next scene or a couple of lines on what you think will happen next. That way, you are never looking at a blank page. (“carry a notebook and pen wherever you go” may seem as cliché but remembering how J.K. Rowling drafted Harry Potter inspires me to write in any piece of paper I can put ink on.)
5) Write for your reader self, not your writer self. You are the best audience for your own work. If you would absolutely love a character like the one you are writing about, if you adore books like the one you are working on, then you are going to know how to make the book appealing—write it like you were the person who was going to read it. Remember the fun bits, the juicy bits, the stuff you linger over in other books—the good stuff. (self-explanatory…hehe…I like the italicized part so much)
6) Talk it through. When you get stuck, sometimes it helps to talk through the book out loud—even if only your cat is listening. Sometimes hearing the plot is enough to engage a different part of your brain in solving the problem. (I know some people who talk to themselves while walking to and fro)
7) Give yourself regular rewards. A fresh cup of coffee (even if it is your 353rd) when you get to the end of a scene, an episode of your favorite show, a snack, a couple of minutes rearranging your My Book is Awesome mix—if you give yourself regular motivational rewards, you will have small goals to work toward. (I go to the movies alone to reward myself and get more ideas from the films)
Over the course of this November, you are going to feel frustrated, despairing, elated and exhausted. You will walk around in a foggy haze at your job or the bank or the supermarket. People will talk to you for twenty minutes and you won't have heard a word they said because you just thought of a fantastic new subplot. You will look up things on the internet that make you look like a serial killer. But it's good practice—just think, once you become a professional writer, that's how you'll behave all the time!
Holly Black
Holly Black is the New York Times bestselling author of The Spiderwick Chronicles.
12.10.10
being proud
24.11.09
yahoo moment
One of the rewards in studying is being remembered by a 71-year old professor and that is exactly what I received last Saturday. I was able to answer questions about Pablo Neruda’s “ The United Fruit Company, Inc.” and Somerset Maugham’s “Rain.” At the end of that day Professor Venancio Mendiola finally remembered my name.
I consider it as a reward basically because he’s in his prime. Some people forget names easily and people in his age forget almost every thing. Secondly, he is a renowned professor in Literature and Translation and anybody whom he recognizes surely feels proud. Aside from that, I don’t think he still remembers me in my Undergraduate subject, Translation of Educational texts.
Thirdly and most importantly, it is a reward because it gives me the satisfaction of studying again. When I was in my undergraduate course, I made sure I recited every now and then and contributed something to the classroom discussions. In the first 2 weeks of my Masters’ classes, I found it hard to recite because I couldn’t relate. I knew already that Professor Mendiola speaks 5 languages but it was quite unnerving to feel that my classmates spoke in a jargon that I was quite unfamiliar of. Suffice it to say that I had felt quite insecure before I recited last Saturday.
After the classes I felt elevated that I found myself half heartedly sorry for having a field trip on the coming Saturday and not being able to participate in the next discussions. Those recitations did boost my confidence level. I am now more motivated than ever, to think that it is Mr. Mendiola’s class.